- VOXENGO DECONVOLVER FREE PRO
- VOXENGO DECONVOLVER FREE SOFTWARE
- VOXENGO DECONVOLVER FREE PROFESSIONAL
besides that, there is so much that goes into the matching algorithm that taking some random IR and applying it to your mandolin is probably not going to sound that great. As far as I know, no one is selling IRs of expensive mandolins anyway. the way the TD works will only make your mandolin pickup sound closer to a microphone on your mandolin. Please let me know if I'm off the mark as I'm considering buying a TD myself. I realize I just said basically the same thing like 3 times. For example, a KM150 will sound like more like a KM150 played acoustic than a KM150 picked up.
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The point is to make any instrument (beginner or pro level) sound like it does when played acoustic instead of how it sounds thru a piezo pickup.
VOXENGO DECONVOLVER FREE PROFESSIONAL
In other words, I don't think the point of the TD is to make a beginner instrument sound like a top notch professional instrument. I don't think they are selling IRs of Loar/gil/fern tone and, although I do love loar/gil/fern tone, I don't believe that tone is the one end all tone goal for all players and all situations. I don't think the goal of the TD is to make any low $ instrument like high $$$$$ instruments but to make the tone of your own instruments sound closer to the acoustic mic'd tone of your own instruments than the piezo pickup tone of your own instruments. From what I'm reading, hearing and seeing, I think the TD is essentially going to be spitting out a close copy of the "learned" mic'd tone of your instrument. Please correct me if I'm wrong as I'm one of the least tech oriented players I know. So for now you are going to need to start with a fine mandolin, a great mic, and some recording knowledge.
I think digital is still a ways off from making your average Kentucky sound like a Loar. Otherwise you could just buy IRs of a Loar, a Gilchrist, a Fern, etc. At the same time, this puts a huge demand on the system memory: deconvolving a 25-second stereo file at 96 kHz may require up to 100 MB of memory.But as I understand it, it is not spitting out the recorded sound, but reacting on the fly to the difference it has learned between your pickup and your recorded sound. Voxengo Deconvolver also offers a true mathematical FFT deconvolution which delivers 100% exact deconvolution. Secondly, it offers a very convenient environment in which to deconvolve large sets of recorded files. First of all, it supports almost all sample formats (bit-depths) of uncompressed mono/stereo WAV files. Voxengo Deconvolver overcomes these problems. And alike, existing deconvolution programs and plug-ins support only the given sample rates and bit depths, and tend to offer a very poor quality deconvolution. Some convolution plug-ins tend to support only a small subset of available bit-depths. The other problem we may face is the input or the output bit-depth incompatibility of the recorded and the recovered files.
This poses the difficulty of recovering the impulses conveniently and with minimal user effort. In many cases during some stage of the impulse capture, we typically have a rather large set of recorded test tones that were run through some device or mic'ed in some room.
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This enables us to use the sound of high-end reverb units, real-world rooms, halls, cathedrals, synthetic reverbs and other sources, including non-reverb ones, without any hassle and in a uniform way using only a single program or a plug-in module.Īlthough there are many different sources of impulse responses, we also face the difficulties of acquiring these so they can be used seamlessly in any software environment. With convolution, we have an opportunity to capture the sound of anything in the world that can generate a reverb and use these sound impulses freely in any situation imaginable. "Recently, sampling (convolution) reverbs have become more and more in demand.
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